Recent Projects

Producer Credits

The Best Part (2026)

Medium: 2D hand-drawn

Team size: 24 + 3 voice actors

Timeline: 8 months

Directed by Lilian Han Morze. Managed a team of 27 people and handled organisation and communication with professional voice actors, a sound technician, and our composer.

I’ve also enjoyed taking a lead on the promotion of the film, which has involved shooting and editing promotional videos and outreach to newsletters and potential sponsors.

Find out more on the film’s official website here.

Space Sweepers (2025)

Medium: 2D hand-drawn characters in CGI environments

Team size: 6 + 2 voice actors

Timeline: 2.5 months

Directed by Lilian Han Morze. I enjoyed balancing both 2D and CGI pipelines for this short film, identifying workarounds that would allow time-efficient collaboration between both departments.

Cipriano Loreto Portfolio Piece 1 (2026)

Medium: CGI

Artist: Cipriano Loreto

Timeline: 2.5 months (part-time)

One of two personal portfolio pieces I was able to produce for Cipriano Loreto as part of the ANM350 module in my final year at university.

We originally looked at making a 20 second animation for this, as the work was being completed alongside other demanding modules, however Cipriano was a speed superstar that it was possible to produce a whole minute!

As Cipriano was working on both this piece and a separate layout piece (see below) concurrently, I wanted to speak to him about his preferred workflow. He told me that he felt he would be more motivated – and therefore a faster, better worker – if he was able to jump back and forth between both pieces, so I drew up a Gantt chart which allowed for this.

Mat Levent Portfolio Piece (2026)

Medium: CGI

Artist: Mat Levent

Timeline: 2.5 months (part-time)

A rigging-focused portfolio piece which I produced for Mat Levent as part of the ANM350 module in my final year at university.

Mat’s pitch for this piece was ‘an alcoholic cartoon bear who is addicted to honey wine’, which made it fun right from the start. The whole scene was created by them, including the character which they modelled and rigged, and I enjoyed learning about 3D pipelines throughout the process – both through research and through Mat teaching me! This project also gave me the opportunity to get to grips with Flow’s asset databases.

Vanessa Ndikanwu Portfolio Piece (2026)

Medium: CGI & 2D hand-drawn

Artist: Vanessa Ndikanwu

Timeline: 2.5 months (part-time)

Personal portfolio piece for Vanessa Ndikanwu. I had the pleasure of producing this short animation for Vanessa’s ANM350 Major Asset in my final year at university.

Whilst a very different experience from producing the team, I found producing one person to bring its own challenges. I designed pipelines and schedules around Vanessa’s personal strengths, adapting timelines throughout the project as a reflection of the part-time nature of this project with some weeks allowing more or less time to work than expected.

Roots of Change (2024)

Medium: Stop-motion

Team size: 7 + 1 voice actor

Timeline: 4 months

Directed by Ross Geiger. I acted as the primary point of contact for the client, ensuring communication of all change requests to the creative team and advising the client on what was/was not within the scope of the project and potential workarounds.

Producing the stop-motion pipeline was a pleasant change of pace, and certainly acquainted me with best practice within the medium. I developed pipelines and schedules which accounted for the fact that this was a commissioned project, and therefore incorporated time for revisions at each stage based on client feedback.

Tin Openers [Pitch] (2026)

Roles: Compositor; 2D Rigger; Rig Animation

Medium: 2D hand-drawn

Directed by Annie winning, Oscar-nominated and BAFTA-nominated directors. I was the sole compositor and rigger and consulted directly with the directors and producer. Aided in the development of the final look of the film and composited every shot.

Artist Credits

Night of the Living Fish (2025)

Roles: Lead Compositor

Medium: 2D hand-drawn

Directed by Taiah Hay. I lead a team of 5 compositors on this graduate film in Spring of 2025, developing the look of the film alongside Lucy Easthope. Many hadn’t composited before, and I found it extremely rewarding to guide and encourage them to produce some great work.