Part 2 in the ‘The Secret Jobs of the Producer’ series. From outside the industry, many people believe that producers don’t handle the budget. Surely there are accounting departments for that, right?

A quick look at my experience with budgeting whilst working on my final year student film.

Part 1 in the ‘The Secret Jobs of the Producer’ series. How do you fund an indie film?

Is it what Flow was designed for? Not really. Did I learn a lot from it? Absolutely!

Having heard all three names from a variety of people, I decided to investigate the origin’s of Flow’s name and why so many people feel attached to its original title ‘Shotgrid’.

A compositor, a Shotgrid specialist, and two animators to boot! Falmouth’s alumni shared their experience and answered questions during this exciting panel.

Even whilst not producing, there is unimaginable value to be found in observing your coworkers. I cover two examples – a pitch by award-winning directors, and a fast-paced design studio – and explore what I learnt from my experiences.

A little insight into production so far for our final year film ‘The Best Part’.

Free raclettes, company parties, and industry insight! A few highlights from my first trip to Annecy.

I produced Space Sweepers, directed by Lilian Han Morze and a finalist for The Rookies’ best 2D animated film competition, from its pitch to its completion. Here, I break down my approach and what went into this.

A quick breakdown of the lessons I’ve learnt through working with clients.